Keeping you all updated is impossible! So much great stuff is going on, and the more stuff which happens the less time I have to type.
I attended the climate protest on Saturday. I had intended to go, then decided not to bother (what the hell difference is it going to make? And I hear a girl got assaulted on Reclaim the Night, so my faith in protests is even lower than usual), and then ended up going by accident. I was hunting down posh origami paper on Carnaby Street when I heard the unmistakeable sound of a protest-monitoring helicopter. I crossed into Piccadilly Circus and bumped into a huge number of blue protesters, with , mercifully, only a scattering of socialists.
(Socialism is causing me problems. All the ones I encounter in London offend me. They're like the world's worst stand up comics, concluding every joke with a single punchline (i.e. "The enviroment/economy/civil rights is in chaos! Become a Socialist!), and like the world's worst gatecrashers, show up for whatever protest action is going. I feel very sympathetic to their cause - capitalism, commercialism, there's so much wrong with it - but am doubly depressed by my leftie leanings. Everyone becomes a socialist at university, then stops when they have a mortgage. The inherent hypocracy of this, and knowledge that it's a phase even while I'm in it, is very demoralising.)
They happened to be going the same way as me, so I grabbed a placard and walked from Piccadilly to Whitehall, then left them to their futile shouting and jumping about in favour of the uni library. The placard is now next to the anti-BNP one in my room.
Then I spent a lovely afternoon folding in the Maughan. There's something enjoyable about using glue in a place like that. I'm making some dragons as a favour, and enjoying it immensely. There's a debate in the world of origami as to what the point should be. I am of the school of fun folding - I believe the finished product isn't so important, so long as the folding process was entertaining. I rarely have the excuse or inclination to produce something beautiful. Which is strage when you consider we are basically talking about Art here, and I'd (probably) sink a ship for the most beautiful song ever written.
Normally, folding shapes is purely to amuse my hands - folding to amuse someone else's eyes is a slightly different dicipline, and I'm enjoying the oppertunity. Particularly to use proper Japanese patterned paper. I don't bother with it usually, and it is an extra challenge - you've more room for mistakes in one-colour paper. The finished product is incredible, much better than in that photo.
I've got myself a Doctor Who lunchbox using some of my birthday cash. I hope this will encourage me to make lunch in the mornings - instead of considering it, then feeling guilty about using a plastic bag; or forgetting, then being too cheap or lazy to hunt out food. Also, it says "exterminate" when you press the front. It's pretty huge, so I have packed it with non perishables as if I were going on arctic expedition, on the grounds that I will doubtless forget to refil it.
Sunday's treat was Fyfe Dangerfield (Guillemots frontman - keep up, keep up!) playing in a park. I headed on down to Bethnal Green, and spent fifteen minutes rooting around in trees trying to find him. Finally, I spotted a crowd in front of a bandstand - I climbed through one fence, and over another to get there. Fyfe wrote up the playlist in chalk, like a specials board, and captioned it with "all served with chips and salad". "Does anybody here have pliers?" went up the call, as one of his guitar strings snapped. It was quickly fixed though. I spent the entire thing wedged between the ear and cheek of a sitting woman, and the bum cheeks of an incredibly irritating one or two cameramen, sound-recordists or people who were sufficienly "with" the event, that none of the 20 or so fans standing behind them could tap them on the shoulder and punch them in the face. This was very frustrating, more so when the singing began.
Playlist:
Faster than the Setting Sun (as the sun was setting, aptly enough)
Livewire
She Needs Me (lovely chunky chords! I liked this one most)
Any Direction
It was just him and the guitar, with the light playing off the trees - and also, his foot on his keys to create a beat. Always the improviser, he ditched the guitar after Any Direction and continued singing, chinking along on the two chalk sticks. They snapped almost instantly, which brought a laugh, then a huge cheer and an end to what was almost a nice afternoon. Then I went down to a table by the lake (complete with a fountain and all sorts of waterfowl) and did Latin there till the sun set. Lovely!
I wanted to tell you about Beautiful Thing, Hamlet and Inherit the Wind, but I'm posting this from the library and am running out of time.
But one thing I have to mention is Chinatown, oh Chinatown! The final film in the Kings noir series. I have attended almost all of these - free, on Monday evenings, accompanied by about five minutes of academia and on a massive screen. And usually, featuring the projectionist screwing up. I'll talk about the program as a whole when I have time.
And to cap it off, the topic was neo-noir - of which Chinatown is a perfect example. I was reminded of L.A. Confidential all the way through - same location, same stylised story, and also the same composer using the same lonesome trumpet theme. I was interested by it's use of sunlight. L.A. C, notably, takes place entirely at night - it's a shock when the sun turns up in the final scene. Chinatown is almost more dark and threatening for being set mostly in day, under an unforgivingly cheerful sky. When I came out I was thinking one was as good as the other, but as I thought about it more I've come around to thinking Chinatown might be better. Which is a scary thought, because L.A. Confidential has always been my benchmark "great movie". And I did think about it, I have been thinking about it constantly. I couldn't get to sleep for running it over in my brain. I'm not sure what about it has caught my attention so fully, but you heard it here first, folks (off the record, on the QT and very hush hush...) - this is a love affair blossoming into life.
Oh, and the knife + nostril? Best reaction EVER from an audience. I felt sure the scene was sufficently famous that everyone would know about it, but apparently not. There was a hugely satisfying gasp, of a kind I've never experienced. Maybe the last time something similar was when Bilbo leaps for the ring in Fellowship - at which point the audience, myself included, lurched in their chairs.
I attended the climate protest on Saturday. I had intended to go, then decided not to bother (what the hell difference is it going to make? And I hear a girl got assaulted on Reclaim the Night, so my faith in protests is even lower than usual), and then ended up going by accident. I was hunting down posh origami paper on Carnaby Street when I heard the unmistakeable sound of a protest-monitoring helicopter. I crossed into Piccadilly Circus and bumped into a huge number of blue protesters, with , mercifully, only a scattering of socialists.
(Socialism is causing me problems. All the ones I encounter in London offend me. They're like the world's worst stand up comics, concluding every joke with a single punchline (i.e. "The enviroment/economy/civil rights is in chaos! Become a Socialist!), and like the world's worst gatecrashers, show up for whatever protest action is going. I feel very sympathetic to their cause - capitalism, commercialism, there's so much wrong with it - but am doubly depressed by my leftie leanings. Everyone becomes a socialist at university, then stops when they have a mortgage. The inherent hypocracy of this, and knowledge that it's a phase even while I'm in it, is very demoralising.)
They happened to be going the same way as me, so I grabbed a placard and walked from Piccadilly to Whitehall, then left them to their futile shouting and jumping about in favour of the uni library. The placard is now next to the anti-BNP one in my room.
Then I spent a lovely afternoon folding in the Maughan. There's something enjoyable about using glue in a place like that. I'm making some dragons as a favour, and enjoying it immensely. There's a debate in the world of origami as to what the point should be. I am of the school of fun folding - I believe the finished product isn't so important, so long as the folding process was entertaining. I rarely have the excuse or inclination to produce something beautiful. Which is strage when you consider we are basically talking about Art here, and I'd (probably) sink a ship for the most beautiful song ever written.
Normally, folding shapes is purely to amuse my hands - folding to amuse someone else's eyes is a slightly different dicipline, and I'm enjoying the oppertunity. Particularly to use proper Japanese patterned paper. I don't bother with it usually, and it is an extra challenge - you've more room for mistakes in one-colour paper. The finished product is incredible, much better than in that photo.
I've got myself a Doctor Who lunchbox using some of my birthday cash. I hope this will encourage me to make lunch in the mornings - instead of considering it, then feeling guilty about using a plastic bag; or forgetting, then being too cheap or lazy to hunt out food. Also, it says "exterminate" when you press the front. It's pretty huge, so I have packed it with non perishables as if I were going on arctic expedition, on the grounds that I will doubtless forget to refil it.
Sunday's treat was Fyfe Dangerfield (Guillemots frontman - keep up, keep up!) playing in a park. I headed on down to Bethnal Green, and spent fifteen minutes rooting around in trees trying to find him. Finally, I spotted a crowd in front of a bandstand - I climbed through one fence, and over another to get there. Fyfe wrote up the playlist in chalk, like a specials board, and captioned it with "all served with chips and salad". "Does anybody here have pliers?" went up the call, as one of his guitar strings snapped. It was quickly fixed though. I spent the entire thing wedged between the ear and cheek of a sitting woman, and the bum cheeks of an incredibly irritating one or two cameramen, sound-recordists or people who were sufficienly "with" the event, that none of the 20 or so fans standing behind them could tap them on the shoulder and punch them in the face. This was very frustrating, more so when the singing began.
Playlist:
Faster than the Setting Sun (as the sun was setting, aptly enough)
Livewire
She Needs Me (lovely chunky chords! I liked this one most)
Any Direction
It was just him and the guitar, with the light playing off the trees - and also, his foot on his keys to create a beat. Always the improviser, he ditched the guitar after Any Direction and continued singing, chinking along on the two chalk sticks. They snapped almost instantly, which brought a laugh, then a huge cheer and an end to what was almost a nice afternoon. Then I went down to a table by the lake (complete with a fountain and all sorts of waterfowl) and did Latin there till the sun set. Lovely!
I wanted to tell you about Beautiful Thing, Hamlet and Inherit the Wind, but I'm posting this from the library and am running out of time.
But one thing I have to mention is Chinatown, oh Chinatown! The final film in the Kings noir series. I have attended almost all of these - free, on Monday evenings, accompanied by about five minutes of academia and on a massive screen. And usually, featuring the projectionist screwing up. I'll talk about the program as a whole when I have time.
And to cap it off, the topic was neo-noir - of which Chinatown is a perfect example. I was reminded of L.A. Confidential all the way through - same location, same stylised story, and also the same composer using the same lonesome trumpet theme. I was interested by it's use of sunlight. L.A. C, notably, takes place entirely at night - it's a shock when the sun turns up in the final scene. Chinatown is almost more dark and threatening for being set mostly in day, under an unforgivingly cheerful sky. When I came out I was thinking one was as good as the other, but as I thought about it more I've come around to thinking Chinatown might be better. Which is a scary thought, because L.A. Confidential has always been my benchmark "great movie". And I did think about it, I have been thinking about it constantly. I couldn't get to sleep for running it over in my brain. I'm not sure what about it has caught my attention so fully, but you heard it here first, folks (off the record, on the QT and very hush hush...) - this is a love affair blossoming into life.
Oh, and the knife + nostril? Best reaction EVER from an audience. I felt sure the scene was sufficently famous that everyone would know about it, but apparently not. There was a hugely satisfying gasp, of a kind I've never experienced. Maybe the last time something similar was when Bilbo leaps for the ring in Fellowship - at which point the audience, myself included, lurched in their chairs.
Comments (1)
You will be pleased to know I spent my double economics lesson teaching my neighbours to make baskets and belt-buckles. I then learned to make cranes. Be proud.